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November 17, 2015
New Holiday Art Collection From Wild Apple Atelier Licensing

Woodstock, VT – Wild Apple Atelier Licensing has released their November collection featuring new, trend-forward, holiday-inspired art. From traditional motifs and color palettes to hip, modern designs, the focus is on art that brings magical design to the season.

New for November,  “Holiday on Wheels” by Michael Mullan, features man’s best friends getting into the holiday spirit. “Michael’s newest holiday collection is playful and fun,” says John Chester, co-owner of Wild Apple Graphics. “We know this art will bring smiles to holiday shoppers everywhere.”

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Known for his hand-lettering and vintage-inspired illustration, Michael began his career working as a graphic designer and later went on to earn an MFA in Illustration from the Savannah College of Art and Design.

For a more traditional look, Janelle Penner’s "Holiday Gem Collection" or Anne Tavoletti’s "Country Christmas Collection" are sure to please.

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Holiday Gem Collection by Janelle Penner and Country Christmas by Anne Tavoletti

From stationery to ceramics, from dinnerware to bath sets, mugs, towels and more, Wild Apple art makes the ordinary ... extraordinary. Through our division, Wild Apple Atelier Licensing, we work with artists from around the world, creating trend-right licensing-ready collections for manufacturers of decorative accessories.  To find out more about Wild Apple, how to become a published artist or follow our trend blog, please visit www.wildapple.com

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For more information and high resolution imagery please contact us

 

November 16, 2015
New Art for Fall from Wild Apple

Woodstock, VT – Wild Apple Graphics has released their November 2015 monthly catalogue featuring over 40 pages of in-stock and print on demand collections for customers worldwide. November’s catalogue features the work of 20 artists including contemporary abstracts,  landscapes, vintage-inspired botanicals, florals, coastal collections and more.

The November collection includes “The Leader Gold” by Albena Hristova. This contemporary piece features a majestic woodland stag painted in calming tones of grey and brown with gilded highlights.  “We’re definitely seeing a trend towards chic-lodge this season,” says John Chester, co-owner of Wild Apple. “It’s a great look for fall and one that customers are requesting.”

Albena Hristova, is an international artist with over twelve years of classical art training and a master's in mural painting.  Her paintings exude elegance and timelessness. She was born and raised in a family of artists in Eastern Europe and presently resides in California. She possesses an incredible visual memory that fuels her avid artistic imagination.

Wild Apple is an industry leading art publisher and art licensing company. Working with artists from around the world, we distribute top-selling art prints and images to leading retailers, designers, framers and manufacturers. We believe in options for our customers. From buying in-stock prints to Print On Demand, our dedicated sales team and network of distributors work with each customer to ensure the art you need is the art you get. To find out more about Wild Apple, how to become a published artist or follow our trend blog, please visit www.wildapple.com

The Leader Gold by Albena Hristova

  • In-Stock 27 x 27
  • $27 RETAIL
  • Also available in Print on Demand

 

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For more information please contact us

 
November 10, 2014
Art Copyright Coalition Reports Positive Changes at Chinese Shows

 

“Best trip yet,” reported Art Copyright Coalition (“ACC”) member John Chester of Wild Apple.  Six art licensing & publishing companies attended the October 2014 Canton Fair and Jinhan Fair in Guangzhou, China.  The group has attended 5 of the last 6 shows, which occur in April and October, as part of a long term strategy to combat counterfeits and support their legitimate licensees. “It’s definitely a marathon, not a sprint,” said Lonnie Lemco of World Art Group, “but we do seem to be picking up speed.”

 

While the ACC still encountered many infringements, they estimate a 60% to 70% reduction over the last two years in the amount of counterfeit product offered at the shows.  “If it were your first time coming to Guangzhou, you’d be horrified at how much copying is going on,” said Monique Van den Hurk of Kunstanstalten May, “but it’s way down from the absolutely devastating amount we saw in 2012. It’s definitely going in the right direction.”

 

Sarah Ruggieri of Sun Dance Graphics said, “We all know intellectual property theft has been a cultural norm in China. Many, if not most people running these factories are not aware of the laws. Our mission as a group involves a hefty amount of education as well as some finger wagging.” Notes are taken on each infringer and those whose copyright profile is improving. This way a log is being formulated to track factories that are moving in the right direction and those who continue to disregard copyright laws.

 

The ACC stresses the practical reasons for Chinese companies to pay attention to copyright protection.  “Instead of talking about the moral or legal reasons not to copy, we emphasize that to grow their businesses they need global customers – and these customers are increasingly demanding legitimate product,” explained Nick Roe of Rosenstiels.  “A reputation for being an infringer is not good for business – that’s why awareness is rising. No one cares that they are stealing from artists, and for us it’s a bad cost-benefit equation to use the Chinese legal system to fight copiers.”  

 

Some Chinese exhibitors admitted that they have lost customers because they had been caught selling illegally copied designs.  ACC members travel and attend shows the world over and constantly network with each other regarding suspected infringers. Customers who legitimately license artwork are particularly effective copyright watchdogs.  In one instance at this most recent show, a ceramics licensee found an infringer using the same designs they have under contract.  An emergency email went to the ACC, who were able to visit the infringer at the show and convince them to remove the offending product.

 

The ACC noted a marked increase in requests to license artwork, and some ACC members are beginning to test the licensing model with Chinese manufacturers.  “We are really cautious about who we work with,” said John Chester of Wild Apple. “At this point we are testing the concept on a very limited basis, and evaluating if trust and a track record can be established.” In a few cases, Chinese exhibitors used their official licensee status as a marketing tool.

 

One negative trend noticed by the ACC is the increased use of multiple design elements that are combined into a new piece, such as taking an image of the Eiffel Tower from one image (or artist or publisher) and combining it with a butterfly from another.  The incorrect notion is that the Chinese designer has changed the image so that it is therefore not subject to copyright law. ”We saw a lot of this kind of design mash-up,” said Mauro Torre of Top Art. “The only good news about it is that the images look horrible!”

 

“I think we are at the beginning of a slow but steady sea change regarding copyright protection in China,” said Lonnie Lemco. “Respecting copyrights will only happen when it is in their interest, and we’re near the tipping point when having a good reputation is a requirement for growth.”   

 

The Art Copyright Coalition members attending the October, 2014 Canton Fair and Jinhan Fair:

  • Kunstanstalten May AG, Germany
  • Rosenstiels, UK
  • Sun Dance Graphics, USA
  • Top Art, Italy & USA
  • Wild Apple, USA
  • World Art Group, USA
 

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